The first part of this paper offers a brief theoretical discussion of the short story collection and raises some concerns about the relevance of its historical roots. In a second part, the concepts of performance and performativity are introduced in order to investigate how these concepts can play a relevant role in the theoretical description of the peculiar functioning of the short story collection as a literary form.
Mara Santi, “Performative Perspectives on Short Story Collections”, in: Interférences littéraires/Literaire interferenties, February 2014, 12, “Cycles, Recueils, Macrotexts: The Short Story Collection in Theory and Practice”, Elke D’hoker & Bart VanDenBoSSche(eds.), pp. 145-154.