This issue aims to map and critically assess different theoretical approaches to the interlinking of short stories in a collection. Within the Anglo-American critical tradition, the dominant critical frame is that of the short story cycle, while in the Francophone tradition, the short story cycle has been linked to a broader variety of genres and forms of textual organization. In yet other contexts, such as Italian semiotics, short story collections have been analysed as “macrotexts” (macrotesto). These different traditions, however, find themselves faced with similar issues such as the tension between unity and diversity; the link with magazine publication and serialisation; the relation between formal features and interpretation; the generic status of the short story cycle/collection and its relation to the novel on the one hand, and the short story on the other. The different articles in this issue address these questions through theoretical reflection and/or through the exploration of concrete case studies from different literary traditions.

from Elke D’hoker & Bart VanDen Bossche, “Cycles, Recueils, Macrotexts. The Short Story Collection in a Comparative Perspective”, in: Interférences littéraires/Literaire interferenties, February 2014, 12, “Cycles, Recueils, Macrotexts: The Short Story Col-“Cycles, Recueils, Macrotexts: The Short Story Col-Cycles, Recueils, Macrotexts: The Short Story Col-lection in Theory and Practice”, Elke D’hoker & Bart VanDen Bossche(eds.), 7-17

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